All tag results for ‘found sound’
Intentions in Documentation
In response to a comment Siobhan made on someone’s post, I’d like to ask for responses to the following (I was going to put it all on the comment on that person’s page, but think it warranted anew discussion thread!) That’s a very interesting question (More...)
Live Archives Workshops Day 2 Tamara Ashley
(Javascript required to view QuickTime movie, please turn it on and refresh this page) I was given an object and found a place in which to intervene. This is the clearest recording from my mobile phone sound recorder. I listened (More...)
Live Archives Workshops Day2 Barry Parsons
This morning I went to the pub. This is what I heard. (Javascript required to view QuickTime movie, please turn it on and refresh this page) Three friends, nursing students at the university, drinking by the door. Asked me what (More...)
Live Archives Workshops Day2 Daisy Abbott
Here is my found sound: (Javascript required to view QuickTime movie, please turn it on and refresh this page) Connotations: I like the sense of purpose that comes from hearing footsteps… where is she going? Aesthetics: I like the hollow (More...)
Live Archives Workshops Day2 Emily Williams
This is me recording Ale, recording me, recording Ale, recording me, recording Ale, recording me, recording some railings. (Javascript required to view QuickTime movie, please turn it on and refresh this page) My housemate Nic gave me the phone I recorded (More...)
Live Archives Workshops Day2 Paul Craddock
After much hard work, I’ve managed to upload a sound of me fiddling about with a drain pipe in the ‘herb’ garden. If the drains in Harris building are blocked, it’s my fault… (Javascript required to view QuickTime movie, please (More...)
Jon Aveyard
I’m a performer, composer and audio artist working mainly with found sound objects and environmental recordings to make works structured according to timbre and space rather than meter and harmony. For a lot of my recent compositions and performances I’ve been using in-ear, binaural microphones and headphones in order to make use of the potential for presenting the recordist’s subjective point-of-audition. I lecture in music and audio art at the University of Central Lancashire and I’ve just completed a PhD in Musical Composition.