Live Archives

A + V < (AV) * x   7.2.08 project starts 1st meeting with Paul Stapleton, groundbreaking brainstorming and discussion about interests and aims. 8.-25.2.08 concept development creation of Music ⇔ Video relationship equations, Writing paper: Personal research and (More...)

Javier Jaimovich is a human being living in planet earth. javier.jaimovich.cl

(Javascript required to view QuickTime movie, please turn it on and refresh this page) SARC is an abbreviation of the Sonic Arts Research Centre at Queen’s University Belfast. You can visit the SARC website at: www.sarc.qub.ac.uk

Live Archives Workshops 2-5 April 2007 University of Central Lancashire, Preston, UK Artefacts, memories, and discussions that have been created as part of the Live Archives Workshops are available online at this location (please check back for updates). (More...)

I’m currently a PhD student at Wolverhampton University. My research interests include electronic and computer music, live performance, sonic arts and digital culture. I work across the disciplines of art, performance, music and computer science, creating novel interfaces for audiovisual performance. The main reason for my attendance at the Live Archives Workshops is to seek out and explore new ways of documenting live and interactive art forms.

I’ve come to the Live Archives workshop from Bristol, where I work as a researcher in the university’s drama department on a project to digitise the National Review of Live Art video archive. Before that I did a PhD in American literature and culture at King’s College London. I also volunteer at the Cube Microplex, and play in its in-house improvising group, Orchestra Cube.

The following is a response by Paul Stapleton to a performance lecture by Simon Bowes titled Sunday With Me. (More...)

PaR is an abbreviation of ‘Practice-as-Research’ (More...)

Caroline’s main website is www.virb.com/song Caroline Pugh is a musician based in Belfast, Northern Ireland. She sings traditional songs and makes experimental noises with her vocal chords, plays medieval harps, gives workshops for community projects, teaches and much much (More...)

The Dialogic Evidence project aimed to explore the possibility of a productive co-existence between performance and documentation practices. An article on this project in the online Body, Space and Technology Journal is now available here. This 10-month project (mid September 2006 through mid July 2007) was directed by Dr Paul Stapleton and supported by a Small Grant in The Creative and Performing Arts from The Arts and Humanities Research Council (UK). (More...)