Live Archives

Live Archives Workshops
2-5 April 2007
University of Central Lancashire, Preston, UK

Artefacts, memories, and discussions that have been created as part of the Live Archives Workshops are available online at this location (please check back for updates).

Day 1

Day 2

Day 3

Day 4

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Extracts from the Live Archives Workshops:

Audio from day 3: (These recordings have been made using binaural microphones and are best heard on headphones) one, two, three, four, five, six, seven, eight

This sound clip is quite representative of the variety of sounds that could be made from the modular sound sculpture:

late night group composition: L.A.W. vs Stockhausen

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pre-workshops discussion page

This event is supported by the AHRC and UCLan as part of the research project Dialogic Evidence: Documentation of Ephemeral Events.

All media (audio, video, still image, text, etc) created as part of the Live Archives Workshops is available for redistribution under the following license: Creative Commons Attribution-Noncommercial-Share Alike 3.0. Authorship should be attributed to Live Archives Workshops and should refer to the following url: (http://www.livearchives.org/live-archives-workshops/). All individuals listed below on this post hold non-exclusive ownership as co-authors.

The workshops were collaboratively delivered by:
Jon Aveyard
Nathan Berry
Paul Stapleton
Nick Williams

Workshop participants:
Daisy Abbott
Tamara Ashley
Paul Craddock
Mat Dalgleish
Ale Fernandez
Siobhan Mckeown
Barry Parsons
Caroline Pugh
Emily Williams

Mike Fallows is principally responsible for the graphic design and construction of LiveArchives.org. The site was originally conceptualised and developed by Paul Stapleton and Mike Fallows, who currently remain the site’s administrators (although we are looking for volunteer collaborators). Mike also helped introduce the site on day 1 of the workshops.

Neil Fawcett, Leon Hardman and Paul Stapleton were responsible for the design and construction of the Live Archives Workshops modular sound sculpture.

Nathan Gregg was also involved in filming day4 of the workshops.

Tags for this entry: ahrc, ale fernandez, barry parsons, binaural microphones, blogging, caroline pugh, courtroom, creative commons, crime scene, daisy abbott, day1, day2, day3, day4, dialogic evidence, dialogic music, discussion, documentation, emily williams, ephemeral events, herb garden, improvisation, jon aveyard, leon hardman, live archives, live archives workshops, loop, mathew dalgleish, max, modular sound sculpture, music, nathan berry, nathan gregg, neil fawcett, nick williams, PaR, paul craddock, paul stapleton, performance, preston, research, siobhan mckeown, site-specific, social web technologies, sonic art, tamara ashley, uclan, uk

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