References
This post contains a list of references which may be relevant to the Live Archives Workshops Discussions, the research project Dialogic Evidence: Documentation of Ephemeral Events, and/or www.livearchives.org in general. Please feel free to add references to the following list (including web links where available):
[Full citations and/or web links for all references to be added shortly]
- AHRB, 2003. Research in the Creative and Performing Arts
- Auslander, Philip, 1999, Liveness: Performance in a Mediatized Culture, Routledge, London.
- Auslander, Philip, 2006, The Performativity of Performance Documentation, in PAJ84
- Black Market International
- Bodies in Flight, Flesh and Text (CD-ROM)
- Buber, Martin, 1965, The Knowledge of Man, Harper & Row, New York.
- Buber, Martin, 1970. I and Thou. Translated by Walter Kaufmann. Edinburgh: T. & T. Clark.
- Derrida, Jacques, 1995. Archive Fever: A Freudian Impression
- Desperate Optimists, Stalking Memory (CD-ROM)
- Duff, Tagny
- Eco, Umberto, 1992, Interpretation and Overinterpretation
- Ellis, Simon
- Forced Entertainment, Imaginary Evidence (CD-ROM)
- Frayling, Christopher, 1993, Research in Art and Design in Royal College of Art Research Papers (1:1).
- Goldberg, RoseLee, 2004, Performance: Live Art Since the 60s
- Haseman, Brad. 2006. “A manifesto for performative research� in Media International Australia, practice-led research themed edition (118).
- Heathfield, Adrian (editor), 1997, Shattered Anatomies
- Kaye, Nick, 2000, Site-Specific Art
- Mayhew, Michael [Hello, Goodbye, Something Tender]
- Mayhew and Edmunds, 1993, The Dream Garden (VHS)
- McNiff, J., Lomax, P. and Whitehead, J. (2001): You and Your Action Research Project, RoutledgeFalmer, London.
- Melrose, Susan, 2007, Not lost but not yet found: accounting for decision-making process in expert/professional performance-disciplinary practices.
- Melrose, Susan, 2003, The Curiosity of Writing (or, Who Cares About Performance Mastery?) (conference paper), PARIP 2003, University of Bristol.
- Nelson, Robin, and Stuart Andrews. 2003. The regulations and protocols governing ‘Practice as Research’ (PaR) in the performing arts in the UK leading to the award of PhD.
- New Work Network
- Pearson, Mike and Michael Shanks, 2001, Theatre/Archaeology
- Phelan, Peggy, 1993, Unmarked: The Politics of Performance, Routledge, London.
- Piccini, Angela. 2003. “An historiographic perspective on practice as research� in Studies in Theatre and Performance (23:3).
- Practice as Research in Performance (PARIP)
- Reason, Mathew, 2006. Documentation, Disappearance and the Representation of Live Performance.
- Review of Practice-Led Research in Art, Design & Architecture
- Rye, Caroline, 2003, ‘Incorporating Practice: A multi-viewpoint approach to performance documentation’ in Journal of Media Practice (3:2).
- Rye, Caroline, 2003, Video Writing: The Documentation Trap, or the Role of Documentation in the Practice as Research Debate (conference paper), PARIP 2003, University of Bristol.
- Schon, Donald A. 1983. The Reflective Practitioner: How Professionals Think in Action. New York: Basic Books.
- Standing Conference of University Drama Departments (SCUDD)
- Stapleton, Paul. 2006. “Documentation in performance-led research� in Media International Australia, practice-led research themed edition (118).
- Suchman, L. (1987): Plans and Situated Actions, Cambridge University Press, Cambridge.
- Trimingham, M. (2002): ‘A Methodology for Practice as Research’ in Studies in Theatre and Performance, (22:1).
- Wright, Fiona
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March 13th, 2007 at 12:22 pm
Hi Paul, as this entry contained a list (and it makes more sense semantically to mark it as such in html) I’ve added the necessary markup. I’ve set a standard styling format for lists in entries, do you have any suggestions on how I might improve the display of lists?